Room 7 : The two headless sphinxes, carved under Amenhemhet IV (12th Dynasty), are spectacular. The two headless black basalt statues of Isis in the niches flanking the doorway show us a clear example of Isis Knot.

Room 8 : This room is devoted to mummies and sarcophagi. A visitor can see the difference between the gilded and painted cartonnage of the pharaonic mummies and the ornate diamond bandage of the Ptolemaic ones.

Room 9 : This room is mainly dedicated to show pieces of a shrine in the Fayoum dedicated to the Crocodile-god, Pnepheros.

Room 11 : Contains some of the most interesting statues, in which Egyptian scenes and techniques are portrayed with Greek influences. We can see image of divine serpents " The Agathadaimon Stelae" and their worshippers. Limestone fragments from a temple at Athribis (Benha) are along the north wall of the room. The god Tutu faces Horus and Athribis with a broken inscription of Greek between them.

Room 12 : Contains statues of Graeco-Roman period. A colossal red granite head of Ptolemy IV, was found at Abuqir, wearing the double crown of Egypt. The mosaic of Medusa, once a pavement, originally showed Medusa's entire body. The most spectacular piece is the colossal white marble statue of Marcus Aurelius (121-180 AD), which was discovered under the Sayed Darwish Theater. In the same room, we can see a marble statue of Isis as a goddess of the Nile reclining against a sphinx. Her left hand holds a vessel for the Holy Water and the eight children climbing over her represent the eight cubits the Nile rises for a perfect flood.

Room 14 : is filled with portrait heads of famous Romans : Hadrian, Vespasian, and Augustus.

Room 16 : Contains some of the finest Hellenistic statuary available. The torso of Aphrodite is magnificent . At the end of the hall are a couple of male torsos, a female, and a seated male, which belonged to a group of statues carved for a pediment for a palace near the eastern harbor.

Room 17 : Contains some of the best Sarcophagi found. The most unique one shows Ariadne asleep on the island of Naxos. The god of sleep (Hypnos) stands by her head, and behind him lies the boat that brought her from Crete. Her husband, Dionysisu, stands in front of her with his retinue. The rest of the facade shows a drunken Hercules being helped homeward.

Room 18 : The funerary amphora from Chatby. It dates to the end of the fourth century BC. It still has its artificial wreath of green leaves and golden berries around its neck. Another display is a unique collection of clay Tanagra ( an ancient city in the northern part of Greece) figures. This collection spans the 3rd century BC to the 1st century AD. It provides information about women's fashions, hairstyles, hats and dresses in the ancient world.

Room 21 : This room contains plenty of pottery and some statues. The statue that stands out in this hall is a Hercules statue with a club in his left hand and his lion-skin coat in his right.

Room 22 : This hall is dedicated to colored glassware. Early in Egypt's history, the people learned how to make glass. It is a chance to see the early discovery of the fusion of soda and sand. At the end of the hall is a beautiful bronze head of Hadrian (76-138 AD).

Location :  

Aswan, Egypt

Description :

The Nubia Museum harbors the history of the "Land of Gold" as the word Nubia in the Hieroglyphic, language of ancient Egypt in which pictorial symbols are used to represent meaning and sounds, means the "Land of Gold"...Hence, this land, over times, was abounding in monumental treasures. 

The Nubia Museum, in Aswan, as a matter of fact, is deemed to be one of the most important Egyptian museums. A number of factors have combined together, yielding the magnificence of such museum, as it is the only unique open museum of its kind. 

Preparing this museum lasted for ten years, all dedicated for hard work to come up with such lovely museum. Let alone, it stands as a wonderful model of international cultural cooperation representing in United Nations Educational, Scientific, and Cultural Organization (UNESCO). 

In April 6 th, 1959, the Egyptian government appealed to the United Nations Educational, Cultural, and Scientific Organization (UNESCO), seeking help to salvage the monumental sites in Nubia, hence, the area between Aswan and the Sudan was inundated by the Nile waters especially after completing the Aswan Dam. 

The response of the (UNESCO), in fact, came fast, as it called upon the international community to contribute to this project. 

Since then, (UNESCO) has been a key player in the archaeological field in Egypt. 

In no time, the executive committee, comprising representative of 15 member states, was set up, and was commissioned with studying technical, monumental and financial reports with the aim of providing the (UNESCO) with basic information required to effectively implement the project. 

The (UNESCO), obviously, has contributed much to nudging the entire world to pay more attention to saving such invaluable monuments. By the end of 1975, and as a result of this relentless support on the part of the (UNESCO), the donations influx - contributed by 24 countries - amounted to $ 123304. 

Unsurprisingly then that the operation of saving the Nubian monuments was described as the greatest in the history of saving monuments. 

The operation, as known, included dismantling Abu Simbel Temple, inter alia, moving it to another area to be reassembled once again. Abu Simbel Temple was completely dismantled to 1036 pieces, each with average of 7 to 30 tons, as they were rebuilt on the top of the mountain overlooking the genuine spots, drawn by the ancient Egyptians 3000 years ago. 

The world outcry, however, was translated into many concrete actions; donations to salvage the deteriorated-condition monuments, a number of excavation missions - which pursued their tasks in such hard conditions in areas extend 500 kilometres along the Nile banks. 

A number of 40 missions have taken part in this great but difficult job, unearthing several priceless treasures dating back to pre-history times; Pharaonic, Greek, Roman, Islamic and Coptic. 

Fossils, which were discovered during excavations, undoubtedly provided full knowledge about Nubian life and its development along ages. 

In January, 1975, the General Egyptian Authority for Antiquities submitted a request to the (UNESCO) seeking the organisation's assistance to preserve the ancient Egyptian monuments, through establishing a city for museums harbouring a cluster of open museums with a view to displaying rare and wonderful monuments of various ages. 

Being the main supporter to save the Nubian monuments, the (UNESCO) approved this request, and entrusted the executive committee, responsible for salvaging operations, with assuming the tasks of this new project. This committee was named the "The Executive Committee for the International Campaign for Establishing the International Museum of the Monuments of Nubia in Aswan, and the National Museum for Ancient Egyptian museum in
Cairo". 

Since February, 1981, a number of symposiums and seminars was held for contribution to this great project. It was the first time in the history of the (USECO) to decide launching an international campaign to establish local museum. This, however, could be ascribed to the magnificent monumental treasures Egypt has. 

On February 4 th, 1986, the foundation stone of the museum of Nubia was laid down, playing new effective role that was derived from the spring of culture and civilization at both home and international levels. 

To the Egyptians, the museum is to display life over centuries. As for foreign visitors, the museum will show the history of such unique area, as a source of knowledge for researchers from around the globe. 

The International Museum of Nubia is located in Aswan on an area of 50,000 square meters, 7000 of which are excluded to building, while the rest designed to be the yard of the museum. 

The building has three floors for displaying and housing, in addition to a library and information center. The largest part of the museum is occupied by the monumental pieces, reflecting phases of the development of the Nubian culture and civilization. 

Three thousands pieces of antiq., representing various ages; Geological, Pharaonic, Roman, Coptic and Islamic, were registered. The open-door exhibition includes 90 rare monumental pieces, while the internal halls contain 50 invaluable pieces dating back to the pre-history times, 503 pieces belong to Pharaonic time, 52 of Coptic era, 103 of Islamic age, 140 of Nubian time, in addition to 360 pieces having the tang of Aswan. 

The work in this unique edifice lasted for 11 years straight, and cost LE 60 million. 

The museum of Nubia gained this unique position simply because it harbors unique monuments not in any elsewhere. 

It houses the statute of Ramsis II, which was laid at the very forefront of the Museum, statute of Amenras the spiritual wife of Amen, she is of Nubian origin. It, also, has the head of the Shpatka, of the Nubian origin, made of rosy granite, head of black granite of Tahraqa, the Nubian King, whose reign during the 7th century BC was said to be full of prosperity. There is a temple of his name with gold-plated pillars. 

There are, also, four mummies for nobles, which were found in Kashmatkh town in Nubia.  The museum, as well, houses several models and styles of the Nubian heritage, the panorama of the Nile, depicting live image of the River Nile streaming through its banks. 

There is also a model for the Nubian-style house, typically copied to mirror the nature of life in Nubia.

 All pieces exhibited in the museum reflect the character of the Nubia over history and display how it merged with the Islamic civilization on one hand and the mother civilization of Egypt on the other. 

So, the museum of Nubia plays vital role not only at the level of promoting Nubia to the entire world but also at the level of maintaining monuments and supporting researchers, interested in Nubia, from around the globe. 

This, however could be achieved through the museum's study center and the documentation centers which publish more information on the "Land of Gold" in Egypt, the past, the present and the future. 

Nubia Museum, which hosts 3000 monumental pieces of several times, ranks tenth in the list of the museums inaugurated in Egypt over the past three years. An array of important museums, however, has been inaugurated; Mohamed Nagui Museum, Modern Egyptian Art Museum, Museum of Mohamed Mahmoud Khalil and his wife, Museum of Ahmed Desouki,
Port Said Museum for Modern Arts, Taha Hussein Museum, and the Mummification Museum in Luxor.